From Miramax Films, the studio that brought you the Academy Award winning Life is Beautiful (Best Foreign Language Film, 1998) comes The Boy in the Striped Pajamas. Based on the best selling novel by John Boyne, it's an unforgettable motion picture experience powerful and moving beyond words (Pete Hammond, Hollywood.com). Bored and restless in his new home, Bruno, an innocent and naive eight year old, ignores his mother and sets off on an adventure in the woods. Soon he meets a young boy, and a surprising friendship develops. Set during World War II, this remarkable and inspiring story about the power of the human spirit will capture your heart and engage your mind. Bonus Features include Deleted Scenes With Optional Commentary by Writer, Director Mark Herman and Author John Boyne, Friendship Beyond the Fence Featurette, Feature Commentary by Writer, Director Mark Herman and Author John Boyne
Cadillac Records chronicles the rise of Leonard Chess' (Adrien Brody) Chess Records and its recording artists including Muddy Waters (Jeffrey Wright), Little Walter (Columbus Short), Chuck Berry (Mos Def), Willie Dixon (Cedric The Entertainer) and the great Etta James (Beyonce Knowles). In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting but turbulent lives of some of America's greatest musical legends.
Academy Award nominee Mike Leigh (Best Director and Best Original Screenplay, Vera Drake, 2004), delivers the delightfully fresh and cheerful comedy Happy-Go-Lucky. Free-spirited and effervescent, Poppy is a schoolteacher whose unstoppable optimism guides her life. Bubbling forth with giggles, laughter and jokes, life's a bowl of cherries even when she comes across a few pits. Whether it's a cranky driving teacher or a fiery flamenco instructor, Poppy embraces life on the sunny side of the street. It's a joyous, feel-good film you'll find irresistible. Bonus features include: Behind the Wheel of Happy-Go-Lucky, Happy-In-Character, audio commentary by Director Mike Leigh
When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot. Unlike Randy Shilts' biography, which begins at the beginning, Dustin Lance Black's script starts in 1972, just as Milk (Sean Penn, in a finely-wrought performance) and his boyfriend, Scott (James Franco, equally good), move from New York to San Francisco. Milk opens a camera shop on the Castro that becomes a safe haven for victims of discrimination, convincing him to enter politics. With each race he runs, Harvey's relationship with Scott unravels further. Finally, he wins, and the real battle begins as Milk takes on Proposition 6, which denies equal rights to homosexuals. He does what he can to rally politicians, like George Moscone (Victor Garber) and Dan White (Josh Brolin). While the mayor is willing, the conservative board member has reservations, and after Milk fails to back one of White’s pet projects, the die is cast, leading to the murder of two beloved figures. If Van Sant’s film captures Harvey in all his complexities (he was, for instance, a very funny man), Milk also serves as an enticement to grass-roots activism, showing how one regular guy elevated everyone around him, notably Cleve Jones (Emile Hirsch), the ex-street hustler who created the NAMES Project AIDS Memorial. Released in the wake of Proposition 8, California’s anti-gay marriage amendment, Milk is inspirational in the best way: one person can and did make a difference, but the struggle is far from over. --Kathleen C. Fennessy
Pitched between Robert Altman's A Wedding and Noah Baumbach's Margot at the Wedding--but more cautiously optimistic than both--Rachel Getting Married marks a change in course for director Jonathan Demme. Granted, few Oscar winners have walked a more diverse path. After a series of documentaries and remakes, the Silence of the Lambs helmer tries his hand at the intimate chamber drama. With the help of actress Anne Hathaway and screenwriter Jenny Lumet, daughter of filmmaker Sidney, he pulls it off. The festivities kick into high gear once Kym (Hathaway, with smeared eyeliner and unkempt hair) takes a break from rehab for her sister's big day. It soon transpires that Kym, who hides her wounded soul behind a veil of sarcasm, serves as the Buchman's resident black sheep. The problem goes deeper than drugs to a tragedy in which she played a part. As Kym, bride Rachel (Mad Men's Rosemary DeWitt), their parents (Bill Irwin and Debra Winger), groom Sidney (TV on the Radio's Tunde Adebimpe), and the rest of the bohemian Connecticut brood struggle with the past, the nuptials continue, graced by performances from past Demme collaborators like Sister Carol East (Something Wild) and Robyn Hitchcock (Storefront Hitchcock). The hours between reception and after-party contain humor, affection, and painful revelations. In the press notes, Demme claims that he and cinematographer Declan Quinn (In America) attempted to make a film that looked like "The most beautiful home movie ever made." Using handheld cameras and believably flawed characters, they've done just that.
Jason Statham is back as Frank Martin, the Transporter, in this explosive third installment of the action-adventure series. This time, Frank is presented an offer he can’t refuse and ends up with a mysterious passenger and a dangerous destination - calling for a new machine and new rules. The stakes are bigger, the enemy is deadlier, and the action has never been hotter.
From Miramax Films, the studio that brought you the Academy Award winning Life is Beautiful (Best Foreign Language Film, 1998) comes The Boy in the Striped Pajamas. Based on the best selling novel by John Boyne, it's an unforgettable motion picture experience powerful and moving beyond words (Pete Hammond, Hollywood.com). Bored and restless in his new home, Bruno, an innocent and naive eight year old, ignores his mother and sets off on an adventure in the woods. Soon he meets a young boy, and a surprising friendship develops. Set during World War II, this remarkable and inspiring story about the power of the human spirit will capture your heart and engage your mind. Bonus Features include Deleted Scenes With Optional Commentary by Writer, Director Mark Herman and Author John Boyne, Friendship Beyond the Fence Featurette, Feature Commentary by Writer, Director Mark Herman and Author John Boyne 
Cadillac Records chronicles the rise of Leonard Chess' (Adrien Brody) Chess Records and its recording artists including Muddy Waters (Jeffrey Wright), Little Walter (Columbus Short), Chuck Berry (Mos Def), Willie Dixon (Cedric The Entertainer) and the great Etta James (Beyonce Knowles). In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting but turbulent lives of some of America's greatest musical legends. 
Academy Award nominee Mike Leigh (Best Director and Best Original Screenplay, Vera Drake, 2004), delivers the delightfully fresh and cheerful comedy Happy-Go-Lucky. Free-spirited and effervescent, Poppy is a schoolteacher whose unstoppable optimism guides her life. Bubbling forth with giggles, laughter and jokes, life's a bowl of cherries even when she comes across a few pits. Whether it's a cranky driving teacher or a fiery flamenco instructor, Poppy embraces life on the sunny side of the street. It's a joyous, feel-good film you'll find irresistible. Bonus features include: Behind the Wheel of Happy-Go-Lucky, Happy-In-Character, audio commentary by Director Mike Leigh 
When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot. Unlike Randy Shilts' biography, which begins at the beginning, Dustin Lance Black's script starts in 1972, just as Milk (Sean Penn, in a finely-wrought performance) and his boyfriend, Scott (James Franco, equally good), move from New York to San Francisco. Milk opens a camera shop on the Castro that becomes a safe haven for victims of discrimination, convincing him to enter politics. With each race he runs, Harvey's relationship with Scott unravels further. Finally, he wins, and the real battle begins as Milk takes on Proposition 6, which denies equal rights to homosexuals. He does what he can to rally politicians, like George Moscone (Victor Garber) and Dan White (Josh Brolin). While the mayor is willing, the conservative board member has reservations, and after Milk fails to back one of White’s pet projects, the die is cast, leading to the murder of two beloved figures. If Van Sant’s film captures Harvey in all his complexities (he was, for instance, a very funny man), Milk also serves as an enticement to grass-roots activism, showing how one regular guy elevated everyone around him, notably Cleve Jones (Emile Hirsch), the ex-street hustler who created the NAMES Project AIDS Memorial. Released in the wake of Proposition 8, California’s anti-gay marriage amendment, Milk is inspirational in the best way: one person can and did make a difference, but the struggle is far from over. --Kathleen C. Fennessy
Pitched between Robert Altman's A Wedding and Noah Baumbach's Margot at the Wedding--but more cautiously optimistic than both--Rachel Getting Married marks a change in course for director Jonathan Demme. Granted, few Oscar winners have walked a more diverse path. After a series of documentaries and remakes, the Silence of the Lambs helmer tries his hand at the intimate chamber drama. With the help of actress Anne Hathaway and screenwriter Jenny Lumet, daughter of filmmaker Sidney, he pulls it off. The festivities kick into high gear once Kym (Hathaway, with smeared eyeliner and unkempt hair) takes a break from rehab for her sister's big day. It soon transpires that Kym, who hides her wounded soul behind a veil of sarcasm, serves as the Buchman's resident black sheep. The problem goes deeper than drugs to a tragedy in which she played a part. As Kym, bride Rachel (Mad Men's Rosemary DeWitt), their parents (Bill Irwin and Debra Winger), groom Sidney (TV on the Radio's Tunde Adebimpe), and the rest of the bohemian Connecticut brood struggle with the past, the nuptials continue, graced by performances from past Demme collaborators like Sister Carol East (Something Wild) and Robyn Hitchcock (Storefront Hitchcock). The hours between reception and after-party contain humor, affection, and painful revelations. In the press notes, Demme claims that he and cinematographer Declan Quinn (In America) attempted to make a film that looked like "The most beautiful home movie ever made." Using handheld cameras and believably flawed characters, they've done just that.
Jason Statham is back as Frank Martin, the Transporter, in this explosive third installment of the action-adventure series. This time, Frank is presented an offer he can’t refuse and ends up with a mysterious passenger and a dangerous destination - calling for a new machine and new rules. The stakes are bigger, the enemy is deadlier, and the action has never been hotter.
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