Oct 29, 2008

new fiction

Set in Boston at the end of the First World War, New York Times bestselling author Dennis Lehane's long-awaited eighth novel unflinchingly captures the political and social unrest of a nation caught at the crossroads between past and future. Filled with a cast of unforgettable characters more richly drawn than any Lehane has ever created, The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power. Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.
Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.
Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

Annie Darling discovers the secret of the Franklin house, but Death Walked In . . . Max Darling hasn't been interested in crime since his brush with a seductive young woman put him in danger of losing his freedom. He even refuses to talk to a woman who calls for help and says she is afraid. The caller leaves word she's hidden something in the antebellum house Max and his wife, Annie, are restoring. When Annie finds out, she hurries to the woman's home, only to discover her shot. Annie hears her final whisper as she holds the dying woman's hand.
Evidence links the dead woman to a nearby home, where a fortune in gold coins has gone missing. The gold coins, rare Double Eagles, were stolen from a house filled with visiting family members, twentysomethings hungry for money and several with secrets they must keep. Is one of them willing to kill for a fortune in coins? Or is it the dead woman's high school dropout son? Max is there when the police arrest the son, but the boy's shock upon learning of his mother's death convinces Max of his innocence. Max and Annie plunge wholeheartedly into the investigation.
But are the coins hidden in Annie and Max's Franklin house? The intruder who shoots at Max seems to think so. And who walks in when Annie discovers the secret of that house?

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