new mysteries, 6.11.08

The Woman in White, Wilkie Collins
Young Walter Hartright first meets the mysterious woman in white in what soon became one of the most popular novels of the nineteenth century. Secrets, mistaken identities, surprise revelations, amnesia, locked rooms and locked asylums, and an unorthodox villain made this mystery thriller an instant success when it first appeared in 1860, and it has continued to enthrall readers ever since. From the hero’s foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collins’s narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing.


Where Are You Now?, Mary Higgins Clark

International bestselling suspense writer Mary Higgins Clark proves she knows how to tell a gripping story with this mystery of a family tragedy and one woman's dangerous quest for the truth.


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The Miracle at Speedy Motors, Alexander McCall Smith
Mma Ramotswe is busy investigating her latest case: a woman who is looking for her family. The problem is, the woman doesn't know her real name of whether any members of her family are now living. Meanwhile, Phuti Radiphuti has bought Mma Makutsi a glorious new bed. Unfortunately, it will inadvertently cause her several sleepless nights. And life is no less complicated at Tlokweng Road Speedy Motors, where Mr. J.L.B. Matekoni--Mma Ramotswe's estimable husband--has fallen under the sway of a doctor who has promised a miracle cure for his daughter's medical condition, which Mma Ramotswe finds hard to believe. But Precious Ramotswe deals with these difficulties with her usual grace and good humor, and in the end discovers that the biggest miracles in life are often the small ones.

The Somnambulist, Jonathan Barnes
Once the toast of good society in Victoria's England, the extraordinary conjurer Edward Moon no longer commands the respect or inspires the awe that he did in earlier times. Despite having previously unraveled more than sixty perplexing criminal puzzles (to the delight of a grateful London constabulary), he is considered something of an embarrassment these days. Still, each night without fail, he returns to the stage of his theatre to amaze his devoted, albeit dwindling audience with the same old astonishments — aided by his partner, the silent, hairless, hulking, surprisingly placid giant who, when stabbed, does not bleed...and who goes by but one appellation:The Somnambulist. On a night of roiling mists and long shadows, in a corner of the city where only the most foolhardy will deign to tread, a rather disreputable actor meets his end in a most bizarre and terrible fashion. Baffled, the police turn once again in the direction of Edward Moon — who will always welcome such assignments as an escape from ennui. And, in fact, he leads the officers to a murderer rather quickly. Perhaps too quickly. For these are strange, strange times in England, with the strangest of sorts prowling London's dank underbelly: sinister circus performers, freakishly deformed prostitutes, sadistic grown killers in schoolboy attire, a human fly, a man who lives backwards. And nothing is precisely as it seems.